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Carlo Antonio Testore c.1730
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Aitchison Montagnana copy
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Filius and Son
Giovanni Battista Guadagnini
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Cello care guide
ABOUT US
Cello Specialists
Biographies
Cello set-up
Contact us
Subscription form
Cello courses and events
Covid Policy and Solidarity Service
ROBIN AITCHISON CELLOS
Guadagnini model
Montagnana model
Stradivari model
Commission a cello
Video Gallery
Aitchison cello owners
Feedback from cello owners
CELLOS & BOWS FOR SALE
Cellos for sale
Carlo Antonio Testore c.1730
Florentine cello c.1750
B S Fendt c.1800
Betts cello c.1810
W E Hill cello 1876
Aitchison Montagnana copy
Preston School cello c.1800
Kennedy school c.1830
Barnabetti cello c.1880
Peter Wamsley c.1740
Cello bows for sale
SELL A CELLO OR BOW
Sell a cello or bow through us
Feedback from clients
ARTICLE LIBRARY
Technical cello articles
Battle of the Buzz
Cello bridge design
Cello Fingerboards
Cello measurement
Cello sizes
Cello varnish
Humidity and cellos
Sound post cracks
Tailpieces and cords
Taming wolf notes
The sound post
8mm cello endpins
10mm cello endpins
Practical cello articles
Art of Cello Practice – Chris Hoyle
BBC winners
Being Heard
Cello Auditions
Cello benefits
Cello bridge care
Cello insurance
Cello pegs old and new
Feldenkrais
Finding the right cello
Funding for cellists
Gillian Thoday
Hannah Roberts
Healthy cello backs
How to be a Head of Strings
Left hand comfort
Right hand comfort
Teaching online
Travelling with a cello
Wallen Concerto
Bow articles
Bow maintenance
Players test bows
Exploring bow sound
How to test bows
Saving the Pernambuco
The appeal of bows
String reviews
A & D string reviews
G & C string reviews
String design survey
String tensions chart
Cello maker articles
Aitchison cello models
Filius and Son
Giovanni Battista Guadagnini
Newsletters
Cello care guide
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reunited after acoustical adjustments
Sarah Mnatzaganian
2017-04-05T16:10:19+00:00
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