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  • ROBIN AITCHISON CELLOS
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  • CELLOS & BOWS FOR SALE
    • Cellos for sale
      • Carlo Antonio Testore c.1730
      • Florentine cello c.1750
      • B S Fendt c.1800
      • Betts cello c.1810
      • W E Hill cello 1876
      • Aitchison Montagnana copy
      • Preston School cello c.1800
      • Kennedy school c.1830
      • Barnabetti cello c.1880
      • Peter Wamsley c.1740
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  • SELL A CELLO OR BOW
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  • ARTICLE LIBRARY
    • Technical cello articles
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      • Humidity and cellos
      • Sound post cracks
      • Tailpieces and cords
      • Taming wolf notes
      • The sound post
      • 8mm cello endpins
      • 10mm cello endpins
    • Practical cello articles
      • Art of Cello Practice – Chris Hoyle
      • BBC winners
      • Being Heard
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      • Feldenkrais
      • Finding the right cello
      • Funding for cellists
      • Gillian Thoday
      • Hannah Roberts
      • Healthy cello backs
      • How to be a Head of Strings
      • Left hand comfort
      • Right hand comfort
      • Teaching online
      • Travelling with a cello
      • Wallen Concerto
    • Bow articles
      • Bow maintenance
      • Players test bows
      • Exploring bow sound
      • How to test bows
      • Saving the Pernambuco
      • The appeal of bows
    • String reviews
      • A & D string reviews
      • G & C string reviews
      • String design survey
      • String tensions chart
    • Cello maker articles
      • Aitchison cello models
      • Filius and Son
      • Giovanni Battista Guadagnini
    • Newsletters
    • Cello care guide
  • ABOUT US
    • Cello Specialists
    • Biographies
    • Cello set-up
    • Contact us
    • Subscription form
    • Cello courses and events
    • Covid Policy and Solidarity Service
  • ROBIN AITCHISON CELLOS
    • Guadagnini model
    • Montagnana model
    • Stradivari model
    • Commission a cello
    • Video Gallery
    • Aitchison cello owners
    • Feedback from cello owners
  • CELLOS & BOWS FOR SALE
    • Cellos for sale
      • Carlo Antonio Testore c.1730
      • Florentine cello c.1750
      • B S Fendt c.1800
      • Betts cello c.1810
      • W E Hill cello 1876
      • Aitchison Montagnana copy
      • Preston School cello c.1800
      • Kennedy school c.1830
      • Barnabetti cello c.1880
      • Peter Wamsley c.1740
    • Cello bows for sale
  • SELL A CELLO OR BOW
    • Sell a cello or bow through us
    • Feedback from clients
  • ARTICLE LIBRARY
    • Technical cello articles
      • Battle of the Buzz
      • Cello bridge design
      • Cello Fingerboards
      • Cello measurement
      • Cello sizes
      • Cello varnish
      • Humidity and cellos
      • Sound post cracks
      • Tailpieces and cords
      • Taming wolf notes
      • The sound post
      • 8mm cello endpins
      • 10mm cello endpins
    • Practical cello articles
      • Art of Cello Practice – Chris Hoyle
      • BBC winners
      • Being Heard
      • Cello Auditions
      • Cello benefits
      • Cello bridge care
      • Cello insurance
      • Cello pegs old and new
      • Feldenkrais
      • Finding the right cello
      • Funding for cellists
      • Gillian Thoday
      • Hannah Roberts
      • Healthy cello backs
      • How to be a Head of Strings
      • Left hand comfort
      • Right hand comfort
      • Teaching online
      • Travelling with a cello
      • Wallen Concerto
    • Bow articles
      • Bow maintenance
      • Players test bows
      • Exploring bow sound
      • How to test bows
      • Saving the Pernambuco
      • The appeal of bows
    • String reviews
      • A & D string reviews
      • G & C string reviews
      • String design survey
      • String tensions chart
    • Cello maker articles
      • Aitchison cello models
      • Filius and Son
      • Giovanni Battista Guadagnini
    • Newsletters
    • Cello care guide
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reunited after acoustical adjustments

Sarah Mnatzaganian2017-04-05T16:10:19+00:00
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