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Filius and Son
Giovanni Battista Guadagnini
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ABOUT US
Cello Specialists
Biographies
Cello set-up
Contact us
Subscription form
Covid Policy
ROBIN AITCHISON CELLOS
Guadagnini model
Montagnana model
Stradivari model
Commission a cello
Video Gallery
Aitchison cello owners
Feedback from cello owners
BUY OR SELL CELLOS & BOWS
Cellos for sale
B S Fendt c.1800
B S Fendt (II) cello 1832
John Morrison c.1820
Thomas Kennedy cello 1823
Composite Testore School cello c.1750
Flemish cello c.1790
James W Briggs cello
Thomas Smith cello c.1760
Aitchison Guadagnini copy 2008
Fine German cello c.1830
Small 3/4 cello c.1780
Cello bows for sale
Sell a cello or bow
Feedback from clients
CELLO COMMUNITY
Community page
Courses and Events
Links for cellists
ARTICLE LIBRARY
Technical cello articles
Battle of the Buzz
Cello bridge design
Cello Fingerboards
Cello measurement
Cello sizes
Cello varnish
First aid for cellos
Humidity and cellos
Sound post cracks
Tailpieces and cords
Taming wolf notes
The sound post
8mm cello endpins
10mm cello endpins
Practical cello articles
Art of Cello Practice – Chris Hoyle
BBC winners
Being Heard
Cello Auditions
Cello benefits
Cello bridge care
Cello insurance
Cello pegs old and new
Cello Enterprise: Jamie Walton
Feldenkrais
Finding the right cello
Funding for cellists
Hannah Roberts
Healthy cello backs
How to be a Head of Strings
Left hand comfort
Mats Lidström
Right hand comfort
Teaching online
Travelling with a cello
Wallen Concerto
Bow articles
Bow maintenance
Players test bows
Exploring bow sound
How to test bows
Saving the Pernambuco
The appeal of bows
String reviews
A & D string reviews
G & C string reviews
String design survey
String tensions chart
Cello maker articles
Aitchison cello models
Filius and Son
Giovanni Battista Guadagnini
Newsletters
Cello care guide
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The result can be magical
Sarah Mnatzaganian
2020-11-24T11:18:17+00:00
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