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A Guide to Cello
Measurements
The size
and shape of full-sized cellos is far more variable than that of
violins. Although these differences may seem small compared to the size
range of part-sized cellos, they can feel huge to a sensitive adult
player.
Back
length is not the only significant factor in cello size: the widths of
the upper and lower bouts, the string length and the length of the neck
relative to the string length also have a considerable impact on the
player. Cellists can also grow accustomed to the feel of a particular
neck shape (particularly in 4th position) and this can be a major
contributor to the feeling of comfort and security when playing an
instrument.
The modern
standard for back lengths is shown in the list below. The back lengths
shown for full-sized, ⅞, ¾, ½, ¼ and ⅛ sized cellos are based on average
measurements; each cello size can vary up to 10mm or ½” either side of
the average.
Back
Length Measurement
Back
length is traditionally used to determine the size of stringed
instruments. To measure back length, place one end of the tape measure
level with the very outer edge of the bottom of the cello at the centre
line, stretch the tape over the length of the back and finish measuring
at the extreme edge of the instrument just beside the button (the button
is not included in the length measurement).
Since the
tape lies over the arching of the instrument, the tape-measured length
will be slightly greater than a true straight-line measurement. However,
this error of a few millimetres is understood in the standard
measurements shown in the chart below. It is safest to use a cloth
dress-maker’s tape rather than a metal version when measuring
instruments as cloth tapes are less likely to damage the varnish.
Standard Cello
back lengths
Full-sized
30”
760mm
⅞
29”
730mm
¾
27”
690mm
½
25½ “
650mm
¼
23”
580mm
⅛
21”
530mm
© Robin Aitchison 2005. Published in
News for Cellists Autumn 2005
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All rights reserved. No part of this publication may be reproduced,
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in any form or by any electronic, mechanical or other means, including
photocopying and recording now known or devised hereafter, without the
prior permission of Robin Aitchison
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